Project:

Tucker Bliss

// Brooklyn, United States
“My biggest influence would have to be Spike Jones or Mike Mills”
“I grew up in Weston, Connecticut, a little over an hour outside of New York City. My childhood was filled mostly with outdoor adventures, exploring anything and everything and the classic filmmaker start, using my Dad’s handheld mini DV camera. At that stage it was mostly jackass inspired videos, a little skateboarding, jumping off tall things and getting hurt. As I got a little older I stumbled into an amazing video program in high school, which sort of kick started my love for film and photography.”

“My Mom was a freelance writer for the New York Times, and a few other publications. She now runs a small store in our hometown. My Dad cut his teeth on Wallstreet as a stock broker, he continues to do that today and hates it.”


Filmmaker, Tucker Bliss got his start by doing almost anything in the industry. Tucker talks about what these jobs were and how that influenced him to be the filmmaker he is today.

“100% my dad hates his job, and always says “if you love what you do you’ll never work a day in your life” so that was easy. He also said “just have fun, worry about money later,” which I think helped me take on some more creative projects, and take some leaps. I could always do a crappy Pharma job to supplement the income.”

“I went to Boston University, started out in Marine Biology, panicked and switched to advertising, and then to Film. Lots of decisions, but I didn’t stop changing my mind until I felt I was doing the right thing. Once I settled on film, I had some amazing opportunities to work with 16mm and learn filmmaking from the ground up. I initially thought I wanted to edit, but I fell in love with cinematography and being on set.”

“I got my start freelance ANYTHING. I was editing for 100 dollars a day on small commercial projects, then getting any cinematography work I could for 1000 dollars a project. This was moderately sustainable when I was poor and 22, but as I met more people my day rate got a little higher, and at a certain point I sort of said goodbye to editing because I missed being out in the field. I missed shooting. Editing was a really great networking device though, as I met a ton of agency folks and directors, which allowed me to see how everything worked. A lot of people say you need to decide what you want to do, which I think is true at some point, but in the early days I don’t think I was good enough at anything to decide, so I did it all, pretty well and it was an amazing learning experience.”

“My biggest influence would have to be Spike Jones or Mike Mills, I’m a huge fan of their work and they both got their start in music videos and ads. So it’s fitting and hopefully I can get there soonishly.”


“I started Freelancing at the Mill NY and Mssng Peces, editing and shooting some smaller projects. I shot a few films for the clothing company Johnny Cupcakes right out of college, they were horror inspired trailers for a product release. It was super fun, and logistically challenging, but mostly a bunch of college kids playing with some 5D’s trying to make something “professional.”

“I’m directing full time for 1st Avenue Machine, a production company based in NY, London and LA. I love directing commercials and doc shorts, but I’d LOVE to direct a narrative piece in the next year or two.”

www.tuckerbliss.com
http://www.tuckerbliss.com
tuckerbliss@gmail.com
mailto:tuckerbliss@gmail.com
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